![]() I found that most of the brass sounds, especially the trumpets and french horns, benefited from blending in the Opus reverb to connect the sound of legato and short note passages. Switching to the epic mood brings out even more of a foreboding quality in the sound. The low brass is already quite menacing thanks to a load of FX articulations like “Chaos”, “Cluster Dance”, “Creepy Sustains”, and “Elephants”. With the Soft setting engaged, you can play really lovely choral brass parts. The new trombone patch has an upfront and menacing sound within the epic mood, somewhat reminiscent of Mahler. ![]() There’s an option in Opus’ settings to “load with effects off”, which adds to the dryness if the default reverb is disengaged. In general, the EastWest string sound is a lot more direct and dry than other commercial libraries I’ve used. Turning on a little bit of stereo doubling from the player window created a lovely sense of dimension too. Throwing on the “Ensemble Sul Tasto” patch was a shortcut for beautiful, yearning pad-like textures. Moving on, the Penderecki articulation in the new 18-piece violin section has such a nice movement to it, and it truly shows off the amazing sound of the studio where it was recorded.
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